Right in the heart of Leeds, these conjoined galleries offer a heady mixture of elegant modern art and challenging contemporary sculpture. This is complimented by the café, library and older sections of the building, making it a must-visit if you’re in the city.
The Henry Moore Institute (named after the sculptor of the bulbous semi-abstract bronze pieces) is a clean, sharp black block attached to the Victorian municipal architecture of the Gallery. It contains a handful of often multi-sensory, large footprint installations. Across the short skyway, you enter the Leeds Art Gallery and things become a little more… familiar. The emphasis is very much on the modern art, and I struggled to find anything that pre-dates the 1800s.
The Tiled Cafe is absolutely magnificent and quite vast, which perhaps made my baked potato appear even more diddy than it actually was. The vegetarian chilli topping was very tasty though and the chesterfield sofas make it a very inviting spot for an hour or so with a book.
My favourite bits:
- A Corner of the Baron’s Larder (1849 – 1888) by Henry Weekes is, at a distance, a bog standard still life until you spot the dead swan, upturned pitcher and complete and utter lack of order reflecting the societal upheaval of the time.
- The Lives of Others: Sites of Memory is a grim but beautiful mosaic of epitaphs dedicated to the memory of those who sacrificed their own lives to save others’ in dozens of every day disasters.
- A quintet of bronze figures cast by various artists and creating a striking silhouetted line up of characters, like some sort of artistic superhero squad!
- Anthony Gormley’s Maquette for the Leeds Brick Man is a scaled prototype of an aborted civic project, made up of miniscule clay bricks. The project would have been 120ft tall with balconies out of the ears to look out over the city.
- It was fun to play with Rashid Johnson’s interactive and moisturising shea butter blocks as part of Shea Butter Three Ways. Perhaps I missed the finer points of the message…
- Keir Smith’s Stencils for:… is a really cool example of the process becoming the art and the rusted metal, agricultural tools and rectangular layout have a satisfying toughness.
- The ghostly, geometric worshippers in The Day of Atonement by Jacob Kramer.
Exhibits: 8/10. A really engaging collection that covers a lot of ground.
Environment: 8/10. Beautifully tiled interior and bright spaces but frayed round the edges.
Refreshments: 9/10. The tiled café is a really unique and stunning place. Pricey for Leeds.
Cost and Location: 10/10. In the heart of Leeds and free of charge so perfect!
Overall Score: 9/10. Great collection, character and cost to make Leeds very proud.